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Another successful collaboration with Anna Volkova, presented at TEFAF Maastricht 2025.

TEFAF Maastricht 2025 view of stand of Aronson Antiquairs
View of our stand TEFAF 2025

New collectors have a unique opportunity in the decorative arts to survey an accessible field, find an entry point they’re comfortable with, immerse themselves in research and exploration, and embark on a very enjoyable collecting journey.” — Robert Aronson in an interview for TEFAF Online

RECENT PUBLICATIONS

Delft Blue: A Marvelous Reunion

Our profession is centered on research, discovery, and making connections. This month’s article recounts the extraordinary story of a magnificent 17th-century garniture set that was unexpectedly reunited at Aronson Antiques—a…

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Early Delftware: Foundations and Innovations, 1608–1680

The history of Delft faience and its enduring success can be traced back to the early seventeenth century. The early production of Delft faience remains largely enigmatic, as many of…

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Delft Shards: America’s Dutch History

  For centuries, the enduring fascination with Dutch art and culture has highlighted the deep historical connections between the Netherlands and the United States, particularly with New York. A relationship rooted in the…

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Delftware Delights: Discovering a Unique Tazza

  Dining customs and tableware design have significantly evolved over the centuries, with each influencing the other in a continuous cycle of innovation and adaptation. As tastes changed and demand…

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OBJECT OF THE MONTH

Blue and White Open Work Bowl

Every month, a special object from the Aronson Antiquairs’ collection is presented. This month, the focus is on an early blue and white open work bowl, made around 1670. Early Dutch Delftware bowls are rare, and a bowl with pierced openwork of this early date is even more uncommon. The pierced openwork of the bowl was probably inspired on blue and white transitional Linglong or Guigong porcelain, also called Chinese…

Blue and White Open Work Bowl

Every month, a special object from the Aronson Antiquairs’ collection is presented. This month, the focus is on an early blue and white open work bowl, made around 1670. Early Dutch Delftware bowls are rare, and a bowl with pierced openwork of this early date is even more uncommon. The pierced openwork of the bowl was probably inspired on blue and white transitional Linglong or Guigong porcelain, also called Chinese devil’s work. These Chinese wares were decorated with fine openwork carving. It was generally limited to small objects such as cups, brush pots, bowls and covered jars. Chinese bowls of this type, with sides partly or completely pierced, are mentioned in the VOC records of 1643-1646 as ‘doorluchtige’(translucent) bowls, but were also made before that time in the Wanli period. In contrast to Delftware bowls with pierced openwork, small Chinese bowls are still quite common in collections. Blue and White…

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PASSION FOR DELFTWARE

17th & 18th Century Delftware, Unique by Definition

HISTORY
Delftware has been a national symbol of Holland for almost 400 years. Initiated by the demand for the waning importation of Asian porcelain from the 1640s, Delftware quickly became an iconic national product and one of the greatest Dutch achievements.

PRODUCTION
From the 1680s the Delftware industry has constantly innovated with new shapes, decorations and functions. Their products were coveted by European nobility and royalty for their quality and diversity. The city of Delft rapidly became an inspiration to many European and even Asian potters.

COMPANY
Since 1881, over five generations of the Aronson family have brought to market the highest quality Delftware. We confidently ensure that private collectors and museum and corporate curators will discover fully researched authentic Delftware at Aronson Antiquairs in Amsterdam.

VIDEO EXPLANATIONS

With the images, 3D renderings and descriptions of many of our Delftware objects on our collection page you will find explanatory videos. In these short videos Robert Aronson and Céline Ariaans tell more about shapes, decorations, uses, etc. If you find that a subject is under-represented, please let us know.

LDM & GREEN WEB

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Robert Aronson is certified accountmanager applied arts (toegepaste kunst) for the Landelijke Deskundigheidsmakelaar (LDM) part of the Dutch Police academy.

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