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Team Aronson at SAIL 2025
Our team during an outing during the world famed naval event in Amsterdam recently.
August 22, 2025

RECENT PUBLICATIONS

Sinterklaas and the Shoe: Delft Miniatures in a Dutch Tradition of Giving

Main image: Jacob Houbraken, Het Sint Nicolaasfeest, Engraving, 1761, Collection Rijksmuseum, Amsterdam (inv. no. RP-P-1938-1443) The footwear worn by the figures in the engraving correspond perfectly with the Delft miniature…

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The Graceful and the Playful: Lange Lijs and Zotje on Delft faience

Main image: Polychrome plaque, Delft, circa 1740-1760, former Aronson Collection (inv. no. D0731) Since Chinese porcelain entered the Dutch market around 1600, it captured people’s imagination and laid the foundation…

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Put That in Your Pipe and Paint It: Tobacco and Delftware in the Early Modern World

Main image: Set of Four Blue and White Armorial Tobacco Jars and Brass Cover, Delft, c.1820, Aronson Collection (inv. no. D1368) Tobacco has served as a medicinal, comforting, stimulating, and…

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Japanese Influences on Dutch Delftware

Main image: View on the Dutch trade base on Deshima, circa 1890, Leiden University Libraries (shelf no. KITLV 36D536) Since 2006, CAMERA JAPAN has been an annual celebration of Japanese…

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TEFAF MAASTRICHT

Discover the story behind our monumental 17th-century Delft Flower Pyramid, once in the collection of Cecil Beaton and now acquired by the Cleveland Museum of Art — as featured by TEFAF.

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New collectors have a unique opportunity in the decorative arts to survey an accessible field, find an entry point they’re comfortable with, immerse themselves in research and exploration, and embark on a very enjoyable collecting journey.” — Robert Aronson in an interview for TEFAF Online

OBJECT OF THE MONTH

D2045. Pair of Blue and White Models of Shoes Delft, circa 1760

Pair of Blue and White Models of Shoes

Every month, we highlight a remarkable piece from the Aronson Antiquairs collection. This month we present this beautiful pair of blue and white model of shoes, from circa 1760. Miniature ceramic shoes like this pair were commonly sold at annual fairs and regional markets throughout the Low Countries. While most examples are undated, some bear inscriptions, initials, or dates, indicating that they were intended as personalized tokens for specific recipients…

D2045. Pair of Blue and White Models of Shoes Delft, circa 1760

Pair of Blue and White Models of Shoes

Every month, we highlight a remarkable piece from the Aronson Antiquairs collection. This month we present this beautiful pair of blue and white model of shoes, from circa 1760. Miniature ceramic shoes like this pair were commonly sold at annual fairs and regional markets throughout the Low Countries. While most examples are undated, some bear inscriptions, initials, or dates, indicating that they were intended as personalized tokens for specific recipients or special occasions. Their purpose therefore extended beyond that of decorative curiosities to objects with clear social meaning. In seventeenth-century Dutch visual culture, shoes carried a rich set of symbolic associations. They appear frequently in genre paintings, where they could convey romantic, playful, or subtly erotic undertones through well-understood visual puns. These meanings parallel broader marital customs of the period, including the tradition in some regions of brides receiving or wearing wooden clogs during wedding ceremonies: gestures connected to prosperity,…

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PASSION FOR DELFTWARE

17th & 18th Century Delftware, Unique by Definition

HISTORY
Delftware has been a national symbol of Holland for almost 400 years. Initiated by the demand for the waning importation of Asian porcelain from the 1640s, Delftware quickly became an iconic national product and one of the greatest Dutch achievements.

PRODUCTION
From the 1680s the Delftware industry has constantly innovated with new shapes, decorations and functions. Their products were coveted by European nobility and royalty for their quality and diversity. The city of Delft rapidly became an inspiration to many European and even Asian potters.

COMPANY
Since 1881, over five generations of the Aronson family have brought to market the highest quality Delftware. We confidently ensure that private collectors and museum and corporate curators will discover fully researched authentic Delftware at Aronson Antiquairs in Amsterdam.

MUSEUM COLLECTIONS

VIDEO EXPLANATIONS

With the images, 3D renderings and descriptions of many of our Delftware objects on our collection page you will find explanatory videos. In these short videos Robert Aronson and Céline Ariaans tell more about shapes, decorations, uses, etc. If you find that a subject is under-represented, please let us know.

THE WINTER SHOW NEW YORK

Thanks to all who came to visit us at

The Annual Delaware Antiques Show
A Winterthur Tradition | November 2025
Chase Center on the Riverfront | Wilmington, DE

We look forward to welcoming you again during the 2026 event.

Next event

The Winter Show

The Winter Show
East Side House Settlement
Park Avenue Armory | New York City
January 23 – February 1, 2026

ABOUT ROBERT ARONSON

Robert D. Aronson, Aronson Antiquairs

Robert Aronson is the fifth-generation director of Aronson Antiquairs and a leading authority on 17th- and 18th-century Dutch Delftware. After beginning his career at Sotheby’s in London, he transformed the family firm into a globally respected gallery, advising museums such as the NGV in Melbourne, The Met in New York, and the Cleveland Museum of Art.

He currently serves, amongst others, as a specialist in European ceramics on the Dutch Antiques Roadshow (Tussen Kunst & Kitsch), as a board member of the Royal Delft Museum, and as an expert within the European Commission’s Cultural Heritage working group. He is also a certified account manager for applied arts with the Dutch Police Academy’s national expertise network (LDM). Formerly Chairman and member of TEFAF’s Executive Committee, three-term chairman of the Royal Dutch Fine Art Dealers Association (KVHOK), and member of a national commission advising the Dutch government on art and antiques, Robert continues to shape the field through scholarship, connoisseurship, and international collaboration.

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