Since the early 1900’s modern ceramics produced in various Dutch and even German cities were popularly called ‘Delft Blue.’ These objects continued the successful tradition of seventeenth and eighteenth-century products from the city of Delft. While the antiques gained attention from both national and international collectors and researchers, the modern factories grew their assortment and also…
The Dutch East India Company (VOC) imported tens of millions of pieces of porcelain during the two centuries of its existence (1602-1799) and flooded the country with Chinese and Japanese tablewares. The decoration on these exotic porcelains gave a glimpse of a far away culture that many could never visit; it took almost a year to reach by ship.…
Every month we present a special object from the Aronson Antiquairs’ collection. This month we would like to show this large blue and white tobacco jar with brass cover from circa 1795. The large tobacco jar is painted with two Indian chieftains smoking a pipe standing next to a covered tobacco jar on a pedestal. They…
Brush backs are rare surviving utilitarian objects that were made by Delft potters in imitation of the more expensive silver prototypes. Intended as clothes brushes, these practical objects were “often given as bridal gifts [and] may bear a date or a monogram, but since they were not signed, the makers...remain anonymous”.[1] They were made by…
The work of the French art historian Henry Havard paralleled the rising appreciation and collection of Dutch Delftware in the mid to late nineteenth century. Born in 1838 in the Burgundy region of France, Havard was a radical figure in his youth. During the early years of the second empire, Havard participated in a revolutionary…
Melk en Bloed, “Milk and Blood,” is the Dutch name for a special decoration on East Asian porcelain, in which the colors iron-red and gold dominate. These porcelains were imported from East Asia for only a short period of about 30 years in the early eighteenth century. Although Chinese Milk and Blood porcelain wares are…
Every month we present a special object from the Aronson Antiquairs’ collection. This month we would like to show this polychrome embracing couple group from circa 1765. This embracing couple group is marked for Jacobus Adriaansz. Halder, who was the owner of De Grieksche A (The Greek A) factory from 1764 to 1768. His style was…
De Grieksche A (The Greek A) factory was founded in 1658. It was located on the site of a former brewery in the center of Delft, on the east side of the Geer (today Lange Geer) around the Rotterdamsche Poort. The succession of owners have each contributed to the prestige of the factory, making it…
Every month we present a special object from the Aronson Antiquairs’ collection. This month we would like to show this polychrome putto and goat tureen, from circa 1765. Its cover is modeled as a reclining goat with a coat finely delineated in manganese, accompanied by a naked putto. By the middle of the eighteenth century dining…
At the end of the nineteenth century, there were few pieces of Dutch Delftware in Dutch museum collections. Although some museums actively started collecting Delftware, the collections were small and of little significance. At that time, the most interesting collections of Delftware objects, in both quantity and in quality, were passionately assembled by private collectors.…
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