Every month, a special object from the Aronson Antiquairs’ collection is presented. This month, the focus is on a blue and white apothecary jar and cover, made around 1740. This apothecary jar, inscribed with “Ung. Opiatum,” is an unusually shaped example of Delftware used for storing opium-based ointments. Such preparations, known as Unguentum Opiatum, were…
History For a factory that has been in operation for nearly two centuries, surprisingly little has been documented about De Drie Klokken (The Three Bells) factory. However, through the analysis of literature, archival sources, and the finely crafted Delft faience produced at De Drie Klokken, we aim to develop a more comprehensive understanding of its…
Every month, a special object from the Aronson Antiquairs’ collection is presented. This month, the focus is on an early blue and white open work bowl, made around 1670. Early Dutch Delftware bowls are rare, and a bowl with pierced openwork of this early date is even more uncommon. The pierced openwork of the bowl…
Our profession is centered on research, discovery, and making connections. This month’s article recounts the extraordinary story of a magnificent 17th-century garniture set that was unexpectedly reunited at Aronson Antiques—a remarkable twist of fate one could only dream of. In early summer 2024, we had the privilege of acquiring a stunning pair of vases from…
Every month, a special object from the Aronson Antiquairs’ collection is presented. This month, the focus is on a blue and white biblical charger, made around 1660. The decoration on this dish depicts one of the Old Testament’s most powerful examples of obedience and faith: the story from Genesis, Chapter 22, verses 1-18, of Abraham…
The history of Delft faience and its enduring success can be traced back to the early seventeenth century. The early production of Delft faience remains largely enigmatic, as many of the initial pieces are still difficult to attribute with certainty. However, ongoing archaeological discoveries, art historical research, and newly established connections continue to shed light…
Every month, a special object from the Aronson Antiquairs’ collection is presented. This month, the focus is on a blue and white charger, made around 1680. The depiction of a mounted huntsman in art recalls the widely circulated images of Petrus Schenk’s publication Nieuwe geinventeerde Sineesen, met groote moeyte geteekent en in ‘t Ligt gegeven.…
For centuries, the enduring fascination with Dutch art and culture has highlighted the deep historical connections between the Netherlands and the United States, particularly with New York. A relationship rooted in the early 17th century when New York was still known as "New Amsterdam". This bond is reflected in iconic Dutch contributions, from artistic traditions like Delft…
Dining customs and tableware design have significantly evolved over the centuries, with each influencing the other in a continuous cycle of innovation and adaptation. As tastes changed and demand grew, artisans such as Delft potters consistently pushed the boundaries of creativity, often leading the way in new trends. This spirit of innovation gave rise…
Every month, a special object from the Aronson Antiquairs’ collection is presented. This month, the focus is on a blue and white tazza, made around 1715. The early tazza, or cup in Italian, was a wide, bowl-shaped glass on a tall stem. The vessel was used for serving wine across Europe and England since the…
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