Every month we present a special object from the Aronson Antiquairs’ collection. This month we would like to show you this polychrome figure of a seated lady, from circa 1750. The figure is marked with a claw and numeral 3 in manganese for De Klaauw (The Claw) factory. Wearing a blue broad-brimmed hat, leaning against a…
Still lifes, portraits and landscapes predominate in seventeenth century paintings. In the Low Countries, genre paintings enjoyed a distinct popularity, with paintings showing scenes of ordinary people engaged in common activities. Scenes of drinking were a recurring theme in Dutch genre painting beginning in the sixteenth century. Reveling peasants and country people at the tavern…
On January 24, 1701, the Kocx family celebrated a momentous occasion. The day marked the transfer of ownership of the prosperous factory De Grieksche A (The Greek A) from Adrianus Kocx to his son, Pieter Adriaensz. Kocx. A festive dinner attended by the entire staff was organized to celebrate the event.[1] Pieter van Hurk, who…
Every month we present a special object from the Aronson Antiquairs’ collection. This month we would like to show you this blue and white Commedia dell’ Arte figure. Marked with an asterisk and JB in blue for Justus de Berg, who was recorded as a potter at De Witte Ster (The White Star) factory, the…
Although quite a lot is known about the history and production of Delftware, one lingering question has been how these objects were distributed. Where were they sold after they left the factory? Many times, the pottery was sold directly from the factory. Delft factory owners often lived in buildings that faced the street, while the…
The colorful Imari and Kakiemon Japanese porcelain wares reached the Netherlands between 1660 and 1670. They were immensely popular in the Western market, yielding high prices and inspiring Delft potters to emulate the colorful designs. In particular, Delft potters were driven to reproduce the delicate pastels of the Kakiemon porcelains, experimenting with various color and…
Every month we present a special object from the Aronson Antiquairs’ collection. This month we would like to show you this majolica polychrome plate. Made in the city of Haarlem around 1630, this majolica plate is the forerunner of Delftware. The plate is painted in the center in the typical colors used on majolica - ochre,…
Delftware painters were among a highly esteemed group of craftsmen, whose expertise and creativity determined the look of the finished earthenware pieces.[1] Unfortunately, many of their names have been lost throughout history because they did not sign their work and the records for the potteries refer almost exclusively to the factory owners. One rare exception…
The Nijstad family has been deeply wedded to art and antiques for as long as anyone can remember. They channeled this passion into a successful business, decades before Hartog ‘Harts’ and Kitty Nijstad developed a magnificent collection of Dutch Delftware in the twentieth century. In 1862, Abraham Nijstad (1835-1903) began a humble antiques business in…
Every month we present a special object from the Aronson Antiquairs’ collection. This month we would like to show you this lovely pair of white Delft figures of a young lady and a gentleman from circa 1775. Over the centuries, Dutch Delftware has been produced in many different guises, from plain white to brilliantly polychrome. Art…
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