The Van Gelder Collection
355 apothecary objects at
TEFAF Maastricht 2026
RECENT PUBLICATIONS
The Man Behind the Label: Ole Olsen and His Passion for Delftware
A small paper label preserved inside a Delft faience bust provides the starting point for the story of its former owner, the Danish collector Ole Olsen (1863–1943) (main Image). Dating…
“Mijn Jaer Is Om”: Barbering and the Delftware Barber’s Bowl
Main Image: Barber Bowl, Delft, circa 1700, Aronson Antiquairs (inv. no. 25093) Genesis 41:14 recounts how Joseph, summoned from prison to appear before the Pharaoh, first shaved and changed into…
The Illusion of Time: Delftware Watch Stands and Ceramic Pocket Watches
"Time and tide wait for no man," an old English proverb reminds us. While the passage of time and the forces of nature remain beyond human control, mankind has long…
Delftware Coffee Utensils: The Rise of Coffee Drinking in the Dutch Republic
Main Image: Drawing, Anonymous, Interior of a Coffee House in London, Britain, circa 1690, Collection of the British Museum (inv. no 162021001) Coffee: few commodities are as widespread or as…
TEFAF MAASTRICHT
Discover the story behind our monumental 17th-century Delft Flower Pyramid, once in the collection of Cecil Beaton and now acquired by the Cleveland Museum of Art — as featured by TEFAF.
“New collectors have a unique opportunity in the decorative arts to survey an accessible field, find an entry point they’re comfortable with, immerse themselves in research and exploration, and embark on a very enjoyable collecting journey.” — Robert Aronson in an interview for TEFAF Online
OBJECT OF THE MONTH
PASSION FOR DELFTWARE
17th & 18th Century Delftware, Unique by Definition
HISTORY
Delftware has been a national symbol of Holland for almost 400 years. Initiated by the demand for the waning importation of Asian porcelain from the 1640s, Delftware quickly became an iconic national product and one of the greatest Dutch achievements.
PRODUCTION
From the 1680s the Delftware industry has constantly innovated with new shapes, decorations and functions. Their products were coveted by European nobility and royalty for their quality and diversity. The city of Delft rapidly became an inspiration to many European and even Asian potters.
COMPANY
Since 1881, over five generations of the Aronson family have brought to market the highest quality Delftware. We confidently ensure that private collectors and museum and corporate curators will discover fully researched authentic Delftware at Aronson Antiquairs in Amsterdam.
MUSEUM COLLECTIONS
As Dutch Delftware played a pivotal role in the development of European ceramics in the seventeenth and eighteenth centuries, it is represented in many museums worldwide. The robust faience center of Delft was the result of two important currents of the time: the Italian production of majolica and the Chinese and Japanese wares that were imported by the Dutch East India Company (VOC). Through the influence of Queen Mary, the taste for painted Delftware spread rapidly through a wealthy European elite. Read more about the Delftware collections in museums in this section.
VIDEO EXPLANATIONS
With the images, 3D renderings and descriptions of many of our Delftware objects on our collection page you will find explanatory videos. In these short videos Robert Aronson and Céline Ariaans tell more about shapes, decorations, uses, etc. If you find that a subject is under-represented, please let us know.
ABOUT ROBERT ARONSON
Robert Aronson is the fifth-generation director of Aronson Antiquairs and a leading authority on 17th- and 18th-century Dutch Delftware. After beginning his career at Sotheby’s in London, he transformed the family firm into a globally respected gallery, advising museums such as the NGV in Melbourne, The Met in New York, and the Cleveland Museum of Art.
He currently serves, amongst others, as a specialist in European ceramics on the Dutch Antiques Roadshow (Tussen Kunst & Kitsch), as a board member of the Royal Delft Museum, and as an expert within the European Commission’s Cultural Heritage working group. He is also a certified account manager for applied arts with the Dutch Police Academy’s national expertise network (LDM). Formerly Chairman and member of TEFAF’s Executive Committee, three-term chairman of the Royal Dutch Fine Art Dealers Association (KVHOK), and member of a national commission advising the Dutch government on art and antiques, Robert continues to shape the field through scholarship, connoisseurship, and international collaboration.
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