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Blue and White Kraak-Style Charger

Each month, we highlight a special object from the Aronson Antiquairs collection. This month's selection beautifully complements CeraMix, the exhibition featured in our Museum article, celebrating the artistic possibilities of ceramics. Our attention turns to a remarkable blue and white Kraak-style charger, made in Delft around 1690. Inspired by Chinese export porcelain, this impressive dish…

When Delftware Flew the Colors

Against the predominantly blue palette of a maritime scene on Delftware, a small passage of color can have a remarkable effect. While ships and their surroundings were generally rendered in cobalt blue on seventeenth- and eighteenth-century tiles, plates, and plaques, a small number of surviving examples feature flags picked out in color. What prompted Delft…

Polychrome Figural Wine Cistern

Each month, we highlight a special object from the Aronson Antiquairs collection. As October ushers in the wine season, our attention turns to an exceptional 1754 dated wine cistern, intriguingly inscribed ‘Bordiau,’ most likely a reference to Bordeaux wine. Marked P:V:M 12 : ST in blue for Petrus van Marum, the owner of De Romeyn…

The Man Behind the Label: Ole Olsen and His Passion for Delftware

A small paper label preserved inside a Delft faience bust provides the starting point for the story of its former owner, the Danish collector Ole Olsen (1863–1943) (main Image). Dating from the early twentieth century, the label depicts an intriguing figure: a gentleman carefully examining an object through a magnifying glass. A collectors label always…

“Mijn Jaer Is Om”: Barbering and the Delftware Barber’s Bowl

Main Image: Barber Bowl, Delft, circa 1700, Aronson Antiquairs (inv. no. 25093) Genesis 41:14 recounts how Joseph, summoned from prison to appear before the Pharaoh, first shaved and changed into clean garments before entering the royal court. Although brief, the passage illustrates that shaving has long been associated with cleanliness, respectability, and social identity. Throughout…

Delft Cruet Stands: Form, Function, and Context

Oil and vinegar sets, commonly referred to as cruet sets, are among the more telling additions to the early modern dining table. Their emergence marks a shift toward more structured dining, in which individual elements assumed a defined role in both presentation and use. In the seventeenth and early eighteenth centuries, dining in Europe became…

Delft as a Military Hub: Reflections in Faience

William of Orange-Nassau (Dillenburg, 1533 – Delft, 1584), widely known as the Dutch “Father of the Fatherland,” served as stadholder of the provinces of Holland, Zeeland, and Utrecht, and played a central role in organizing resistance against Spanish rule during the Eighty Years’ War (1568–1648). His close association with Delft, where he established his residence…

Extraordinary Remedies: Wonder Medicines in the Van Gelder Collection

In this months article, we are focussing on the Van Gelder Collection. This exceptional ensemble, comprising more than 350 objects, is widely regarded as the largest and most comprehensive private collection of apothecary ceramics in existence. It was assembled with exceptional care and discernment by the apothecary J.B. (Joop) van Gelder. While his primary focus…

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